= SOLD OUT

  • January 2020

  • 25

    NATIONAL THEATRE LIVE: All My Sons Date: Saturday, January 25, 2020 Time: 2:00 pm-5:00 pm Location: Burr and Burton Academy, Riley Center for the Arts Fee: $18

    Academy Award-winner Sally Field and Bill Pullman star in Arthur Miller’s blistering drama All My Sons. America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They have built a home, raised two sons and established a thriving business. But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. With the return of a figure from the past, long buried truths are forced to the surface and the price of their American dream is laid bare.

  • February 2020

  • 08

    NATIONAL THEATRE LIVE: Present Laughter Date: Saturday, February 8, 2020 Time: 2:00 pm-5:00 pm Location: Burr and Burton Academy, Riley Center for the Arts Fee: $18

    Matthew Warchus directs Andrew Scott (BBC’s Sherlock, Fleabag) in Noël Coward’s provocative comedy Present Laughter. As he prepares to embark on an overseas tour, star actor Garry Essendine’s colourful life is in danger of spiraling out of control. Engulfed by an escalating identity crisis as his many and various relationships compete for his attention, Garry’s few remaining days at home are a chaotic whirlwind of love, sex, panic and soul-searching. Present Laughter is a giddy and surprisingly modern reflection on fame, desire and loneliness.

  • March 2020

  • 28

    NATIONAL THEATRE LIVE: Cyrano de Bergerac Date: Saturday, March 28, 2020 Time: 2:00 pm-5:00 pm Location: Burr and Burton Academy, Riley Center for the Arts Fee: $18

    James McAvoy (X-Men, Atonement) returns to the stage in an inventive new adaptation of Cyrano de Bergerac. Fierce with a pen and notorious in combat, Cyrano almost has it all – if only he could win the heart of his true love Roxanne. There’s just one big problem: he has a nose as huge as his heart. Will a society engulfed by narcissism get the better of Cyrano – or can his mastery of language set Roxanne’s world alight?